Composed of sonically-driven visuals, 200 Nanowebbers
is loosely narrative . Essentially, the work documents the
organic lifecycle of an abstract form in space as it blooms,
develops, then shorts out and “dies.” Because the imagery
is so closely associated with the sound, visually mimicking as
it does, the pulsing, irregular rhythms and beeps, the story
of the imagery becomes the form of the music.