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Benjamin Weil's selections
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Carnivore, 2001
Alex Galloway, United States and Radical Software Group (RSG), |  |
Distant Shoreline, 2001
Anthony Discenza | |
Synthia, 2000
Lynn Hershman | |
TGarden, 1999
Sponge, United States and FoAM, Belgium | |
The Godlove Museum_Numbers, 1999
Entropy8Zuper!, Belgium | |
Wave Twisters: The Movie, 2001
Syd Garon and Eric Henry, United States | |
Video Quartet, 2002
Christian Marclay, United States | |
Formula, 1998
Ryoki Ikeda | |
Global String, 1994
Atau Tanaka, Japan and Kasper Toeplitz, France | |
Symphony #2 for Dot Matrix Printers, 2001
[The User], Canada | |
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| Art in Digital Times: From Technology to Instrument |
| The author's approach to selecting digital art encompasses four major themes. The first relates to reprocessing information and the use of sampling as a means of representing the culturescape we inhabit. The second involves the emergence of internactive environments and installations. New forms of storytelling frame the third view and the final theme relates to bridging the categorical gaps, as demonstrated in computer generated multimedia work. |  |
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Benjamin Weil
Curator of New Media
San Francisco Museum of Modern Art
151 Third Street
San Francisco CA, 94103 USA
email: bweil@sfmoma.org
www.sfmoma.org |
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